Brave New World Chapter 2&3

Summary: Chapter 2

The Director leads the group of students to the Nurseries. Posted on a notice board are the phrases, “Infant Nurseries. Neo-Pavlovian Conditioning Rooms.” The students observe a Bokanovsky group of eight-month-old babies wearing the Delta caste’s khaki-colored clothes. Some nurses present the babies with books and flowers. As the babies crawl toward the books and the flowers, cooing with pleasure, alarms ring shrilly. Then, the babies suffer a mild electric 

The Director explains that after200 repetitions of the same process, the children will have an instinctive hatred of books and flowers. A hatred for books is ingrained in the lower castes to prevent them from wasting the community’s time reading books that might “decondition” them. The motivation for instilling a hatred for flowers is more complicated. The Director explains that Gammas, Deltas, and Epsilons were once conditioned to like flowers and nature in general. The idea was to compel them to visit the country often and “consume transport” in the process. But since nature is free, they consumed nothing other than transportation.-www.sparknotes.com

Summary: Chapter 3

The Director leads the students to the garden, where several hundred naked children are playing. The Director remarks that “in Our Ford’s day,” games involved no more than a ball or two, a few sticks, and maybe a net. Such simple apparatus did nothing to increase consumption. In the current World State, all games, like “Centrifugal Bumble-puppy,” involve complicated machines.

The Director is interrupted by the cries of a little boy sitting in the bushes. It soon becomes clear that the little boy, for some reason, is uncomfortable with the erotic play in which the children are encouraged to participate. After the boy is whisked off to see the psychologist, the Director astounds the students by explaining that sexual play during childhood and adolescence used to be considered abnormal and immoral. When he begins to explain the deleterious effects of sexual repression, a man interrupts him. The Director reverently introduces the man as “his fordship” Mustapha Mond. At the complex, four thousand electric clocks simultaneously strike four, marking the shift change. Henry Foster and Lenina each head up to the changing rooms in preparation for their date. While heading to the rooms, Henry snubs Bernard Marx who is said to have an unsavory reputation.

The narrative suddenly begins to shift back and forth between three different scenes, splicing in Mustapha Mond’s speech to the boys with scenes of Henry’s conversation in the male changing room and Lenina’s conversation in the female training room. This SparkNote will describe Mond’s speech first, and then the two changing room conversations.shock. Afterward, when the nurses offer the flowers and books to the babies, they shrink away and wail with terror. -www.sparknotes.com

ACTIVE READING NOTES:

-the world that lenina and bernard know is a very forced illusion

-bernard recognizes that the world he lives in is fake

-lenina does not notice the false hood or is too scared to let herself admit it

-world is frightening filled with unnatural sexual encounters 

-the children play with naked bodies erotically 

Brave New World Chapter 1

Summary: Chapter 1

The novel opens in the Central London Hatchery and Conditioning Centre. The year is a.f. 632 (632 years “after Ford”). The Director of Hatcheries and Conditioning is giving a group of students a tour of a factory that produces human beings and conditions them for their predestined roles in the World State. He explains to the boys that human beings no longer produce living offspring. Instead, surgically removed ovaries produce ova that are fertilized in artificial receptacles and incubated in specially designed bottles.

The Hatchery destines each fetus for a particular caste in the World State. The five castes are Alpha, Beta, Gamma, Delta, and Epsilon. Gamma, Delta, and Epsilon undergo the Bokanovsky Process, which involves shocking an egg so that it divides to form up to ninety-six identical embryos, which then develop into ninety-six identical human beings. The Alpha and Beta embryos never undergo this dividing process, which can weaken the embryos. The Director explains that the Bokanovsky Process facilitates social stability because the clones it produces are predestined to perform identical tasks at identical machines. The cloning process is one of the tools the World State uses to implement its guiding motto: “Community, Identity, Stability.”

The Director goes on to describe Podsnap’s Technique, which speeds up the ripening process of eggs within a single ovary. With this method, hundreds of related individuals can be produced from the ova and sperm of the same man and woman within two years. The average production rate using Podsnap’s Technique is 11,000 brothers and sisters in 150 batches of identical twins. Called over by the Director, Mr. Henry Foster, an employee at the plant, tells the attentive students that the record for this particular factory is over 16,000 siblings.

ACTIVE NOTES:

-all sexual desires and tendencies have been erased from human behavior

-sexual intercourse and similar words are considered pornographic 

-brain washing begins as a baby to ensure efficiency 

-huxely often relates Brave New World to the real world with Soma

Brave New World

Background:

Written in 1931 and published the following year, Aldous Huxley's Brave New World is a dystopian—or anti-utopian—novel. In it, the author questions the values of 1931 London, using satire and irony to portray a futuristic world in which many of the contemporary trends in British and American society have been taken to extremes. Though he was already a best-selling author, Huxley achieved international acclaim with this now-classic novel. Because Brave New World is a novel of ideas, the characters and plot are secondary, even simplistic. The novel is best appreciated as an ironic commentary on contemporary values.

The story is set in a London six hundred years in the future. People all around the world are part of a totalitarian state, free from war, hatred, poverty, disease, and pain. They enjoy leisure time, material wealth, and physical pleasures. However, in order to maintain such a smoothly running society, the ten people in charge of the world, the Controllers, eliminate most forms of freedom and twist around many traditionally held human values. Standardization and progress are valued above all else. These Controllers create human beings in factories, using technology to make ninety-six people from the same fertilized egg and to condition them for their future lives. Children are raised together and subjected to mind control through sleep teaching to further condition them. As adults, people are content to fulfill their destinies as part of five social classes, from the intelligent Alphas, who run the factories, to the mentally challenged Epsilons, who do the most menial jobs. All spend their free time indulging in harmless and mindless entertainment and sports activities. When the Savage, a man from the uncontrolled area of the world (an Indian reservation in New Mexico) comes to London, he questions the society and ultimately has to choose between conformity and death.

Literary terms 109-137

Lit Terms 109-137

Romanticism- movement in western culture beginning in the 18th and peaking in the 19th century as a revolt against classicism; imagination was valued over reason and fact
Satire- ridicules or condemns the weakness and wrong doings of individuals, groups, institutions or humanity in general
Scansion- the analysis of verse in terms of meter
Setting- the time and place in which events in a short story, novel, play, or narrative poem occur
Simile- a figure of speech comparing two essentially unlike things through the use of a specific word of comparison
Soliloquy- an extended speech, usually in a drama, delivered by a character alone on stage
Spiritual- a folk song, usually on a religious theme
Speaker- a narrator, the one speaking
Stereotype- cliche, a simplified, standardized conception with a special meaning and appeal for members of a group; a formula story
Stream of Consciousness- the style of writing that attempts to imitate the natural flow of a character's thoughts, feelings, reflections, memories, and mental images, as the character experiences them
Structure- the planned framework of a literary selection; its apparent organization
Style- the manner of putting thoughts into words; a characteristic way of writing or speaking
Subordination- the couching of less important ideas in less important structures of language
Surrealism- a style in literature and painting that stresses the subconscious or the nonrational aspects of man's existence characterized by the juxtaposition of the bizarre and the banal
Suspension of Disbelief- suspend not believing in order to enjoy it
Symbol- something which stands for something else, yet has a meaning of its own
Synesthesia- the use of one sense to convey the experience of another sense
Synecdoche- another form of name changing, in which a part stands for the whole
Syntax- the arrangement and grammatical relations of words in a sentence
Theme- main idea of the story; its message
Thesis- a proposition for consideration, especially one to be discussed and proved or disproved; the main idea
Tone- the devices used to create the mood and atmosphere of a literary work; the author's perceived point of view
Tongue in Check- a type of humor in which the speaker feigns seriousness
Tragedy- in literature; any composition with a somber theme carried to a disastrous conclusion; a fatal event; protagonist usually is heroic but tragically flawed
Understatement- opposite of hyperbole; saying less than you mean for emphasis
Vernacular- everyday speech
Voice- the textual features, such as diction and sentence structures, that convey a writer's or speaker's persona
Zeitgeist- the feeling of a particular era in history

Literary terms 83-108

Omniscient Point of View- knowing all things, usually the third person
Onomatopoeia- whose of a word whose sound in some degree imitates or suggests its meaning
Oxymoron- a figure of speech in which two contradicting words or phrases are combined to produce a rhetorical effect by means of a concise paradox
Pacing- rate of movement; tempo
Parable- a story designed to convey some religious principle, moral lesson, or general truth
Paradox- a statement apparently self-contradictory or absurd but really containing a possible truth; an opinion contrary to generally accepted ideas
Parallelism- the principle in sentence structure that states elements of equal function should have equal form
Parody- an imitation of mimicking of a composition or of the style of a well-known artist
Pathos- the ability in literature to call forth feelings of pity, compassion, and/or sadness
Pedantry- a display of learning for its own sake
Personification- a figure of speech attributing human qualities to inanimate objects or abstract ideas
Plot- a plan or scheme to accomplish a purpose
Poignant- eliciting sorrow or sentiment
Point of View- the attitude unifying any oral or written argument; in description, the physical point from which the observer views what he is describing
Postmodernism- literature characterized by experimentation, irony, nontraditional forms, multiple meanings, playfulness and a blurred boundary between real and imaginary
Prose- the ordinary form of spoken and written language; language that doesn't have a regular rhyme pattern
Protagonist- the central character in a work of fiction; opposes antagonist
Pun- play on words; the humorous use of a word emphasizing different meanings or applications
Purpose- the intended result wished by an author
Realism- writing about the ordinary aspects of life in a straightforward manner to reflect life as it actually is
Refrain- a phrase or verse recurring at intervals in a poem or song; chorus
Requiem- any chant, dirge, hymn or musical service for the dead
Resolution- point in a literary work at which the chief dramatic complication is worked out
Restatement- idea repeated for emphasis
Rhetoric-  use of language, both written and verbal in order to persuade
Rhetorical Question- question suggesting its own answer or not requiring an answer; used in argument or persuasion
Rising Action- plot build up, caused by conflict and complication, advancement towards climax

Literary terms 57-82

Gothic Tale- a style in literature characterized by gloomy settings, violent or grotesque action, and a mood of decay
Hyperbole- an exaggerated statement often used as a figure of speech or to prove a point
Imagery- figures of speech or vivid descriptions conveying images through any of the senses
Implication- a meaning or understanding that's to be arrive at by the reader but that is not fully and explicitly stated by the author
Incongruity- The deliberate joining of opposite or of elements that aren't appropriate to each other
Inference- a judgement or conclusion based on evidence presented; the forming of an opinion which possesses some degree of probability according to facts already available
Irony- a contrast between what's said and what's meant or what's expected to happen and what actually happens or what's thought to be happening and what's actually happening
Interior Monologue- a form of writing that represents inner thoughts of a character, recording of internal, emotional experiences of an individual
Inversion- words out of order for emphasis
Juxtaposition- the intentional placement of a word, phrase or sentences of paragraph to contrast with another
Lyric- a poem having musical form and quality; short outburst of the author's innermost thoughts and feelings
Magical Realism- a genre developed in Latin American which juxtaposes the everyday with the magical
Metaphor- an analogy that compares two different things imaginatively
Extended- a metaphor that's extended or developed as far as the writer wants to take it
Controlling- a metaphor that runs throughout the piece of work
Mixed- a metaphor that ineffectively blends two or more analogies
Metonymy- literally name changing a device of figurative language in which the name of an attribute is substituted for the usual name of a thing
Mode of Discourse- argument, narration, description, and exposition
Modernism- literary movement characterized by stylistic experimentation, rejection of tradition, interest in symbolism and psychology
Monologue- an extended speech by a character in a play, short story, novel or narrative poem
Mood- the predominating atmosphere evoke by a literary piece
Motif- a recurring feature in a piece of literature
Myth- a story, often about immortals, and sometimes connected with religious rituals, that attempts to give meaning to the mysteries of the world
Narrative- a story or description of events
Narrator- one who narrates or tells a story
Naturalism- an extreme form of realism
Novelette/Novella- short story; short prose narrative, often satirical